In my journey as an artist, I have always approached each task as an opportunity to create something extraordinary. My early career in the construction industry shaped this mindset. Even as a tiler, I sought out intricate, artistic patterns over simple, conventional designs. These hands-on experiences honed my craftsmanship, a skill I now channel into my artistic projects.

When preparing the Framed Special Edition of Architecture of London, I decided to craft the wooden frames by hand, using only traditional woodworking tools. Each frame was painted using a specialised technique inspired by antique furniture restoration, lending them a unique, timeless character. The result is something you have to see to believe.

But why did I alter the original concept for this edition? Initially, I envisioned a set of five framed prints for each photograph. However, during the creative process, I realised I had signed the prints before completing the painting of the frames. The intricate painting techniques I used made each frame’s surface impossible to replicate. Each frame became a one-of-a-kind piece, perfectly complementing its photographic counterpart.

The original signatures remain on the prints, telling the story of their creation. To underscore their exclusivity, each framed piece comes with a certificate of authenticity, marking it as a truly singular work of art.

Each framed photograph is not just an artwork—it is a testament to the harmony between photography, craftsmanship, and storytelling.
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